Delta Bush Refineries And Other Stories

By Mathew B Oyedele

The exhibition, titled “Delta Bush Refineries and Other Stories” by Akintunde Akinleye is a collection of life in the Delta. It shed lights into the activities of the people involved in the vandalization of oil pipeline and asks the fundamental question, ‘why are they doing it?

A capture from the lens of  Akintunde Akinleye

The theory of art as expression seems to be the fundamental concetto of execution in the exhibited works of Akintunde Akinleye. The works clarified and refined the ideas and feelings that are shared with the spectator and bluntly tell them the secrets of their own hearts. He did not set out to criminalize the youths who are engaged in the oil bunkering but to bring Nigeria’s inability to address corruption to the limelight. He is concerned about being socially responsible to tell the stories of burning issues in the country. 

It is a known fact that Nigeria is endowed with enormous natural resources and crude oil has arguably been a sustaining factor for the country since its discovery in the village of Oloibiri, Bayelsa State in 1956. It has contributed to the development, growth and domestic violence that have left unforgettable scars in the country. Uncountable lives
have gone beyond the Aegean in the course of protecting, vandalizing and inoculating crude oil in the country. These are the results of the misappropriation of oil proceeds which threatens the country’s peace.

The expectation of the Delta people was raised at the discovery of this rare commodity. They were promised that the region will experience accelerated growth, infrastructural development, and stabilized economy but the reverse is the case as the elites and the political class carts away the proceeds from oil to acquire material assets for themselves at the expense of the nation’s collective development. Ironically, these political class hides under the cloak of unemployed youths to drain the country of her natural wealth. These were captured in the photographs of Akintunde Akinleye.

Crude oil, has given the country a stable position in the global scene and the poverty level of the country is still nothing to write home about. How do we classify a country whose policies do not favour the masses? Instead of the country to develop policies that would alleviate the level of poverty in the country, they develop policies that criminalize zealous youths who have neglected their various certificates for menial jobs that sustain them.

Akinleye used this arena to penetrate into the oil-infected activities of the Delta and the politics of oil that has expanded the leaking hole of the country’s political bowl. Nevertheless, the country pours more money into the begging bowl which leaks into the confines of the political class and the masses are curious to see the leakages. They want to see facts that challenge cynicism and tell the people what is effective and what is not. Facts like people want to be free and when they are free, liberty is usually around the corner. 

Bird eye view capture from the lens of  Akintunde Akinleye

       

Thrilled with the works of Akintunde Akinleye, the Curator of the exhibition, Oliver Enwonwu said “he is an artist we are very proud of and he is an award winning artist. He has won a major prize as the World Press Photographer. Showing his works here today is something that gives us a tremendous pride because not only are the works aesthetically pleasing but they tackle an issue in the society. You can see what he is doing with raising awareness of the plight of the people of Niger Delta. The fact that they do not have an arable land, the fact that their waters are oil infected, the fact that the indigenous oil companies there are not doing much to alleviate poverty. These are things that Akintunde has brought to the fore and that is one of the major functions of art. Art should critique the society and should bring unnoticed things to the public. He has not only woven an aesthetic story but talks about major issues that affect every Nigerian.” 

Crucially, if the proceeds from crude oil are wisely spent, there will be debt cancellation, a tripling of aid and an increase in foreign direct investment which will unlock a whopping amount of domestic resources and double education complete rates in Nigeria. This can only be done through the use of the only vaccine for corruption; transparency. This sets an open battle between the people and the government. And if the battle continues, the people will win. As Wael Ghonim said, “we are going to win because we do not understand politics. We are going to win because we do not play their dirty games. We are going to win because we do not have a party political agenda. We are going to win because the tears that come from our eyes actually come from our hearts. We are going to win because the power in people is much stronger than the people in power.”

Award winning documentary photographer, Akintunde Akinleye held his exhibition at the Omenka Gallery from the 17^th -31^st December 2016. It was a platform that generated an ambience for societal reflection and took the audience into a realm that is often intentionally ignored.

Mathew B Oyedele is an Artist/Art Historian

Art on chessboard with Tunde Onakoya, Lanre Olagoke 

Onyeka Onwenu's last major honour in Art of Afrobeats award 

Soyinka at 90...revisiting Maya Angelou, superlatives of Nobel Prize

Separating Yoruba religious tradition from Isese (2)

Fiofori, Ibrahim, Orara...leaving strong visual arts legacies

Akeem Balogun...expressive artist gone too soon

Uwa Usen

When Prince William, Musawa others celebrated Olagoke's MBE

Separating Yoruba religious tradition from Isese