Tuesday, 20 October 2020

In Abuja, Jacob Jari shows 'Collection & Collections'

'Through the Mud Walls' (pencil/charcoal, 55 X 37 cm, 1992), by Gani Odutokun.

A new exhibition titled Collection & Collections by Prof Jacob Jari opens Saturday October 24, ending 30, 2020 at the Thought Pyramid Art Centre, 18 Libreville Street, Off Aminu Kano Crescent, Wuse II, FCT, Abuja.

The exhibition, which features paintings and sculptures, according to Thought Pyramid, shows a body of work consisting of those the artist created through different periods. Included are works of "a rich collection the artist has collected over the decades from notable artists and students that have passed through" his tutelage. 

 The gallery assured that some of the works for the exhibition are 'never-before-seen art pieces from artists like the late Gani Odutokun, Prof Jerry Buhari and other prominent artists."

Jari (b. 1960), in Plateau State, attended St Murumba College, Jos, and Ahmadu Bello University, Zaria from where he holds a Master of Fine Arts degree in Painting and a PhD in Art History. As a professor, Jari has groomed generations of artists. He has alao participated in exhibitions, conferences, workshops, residencies and publications across the world. 

More information about the exhibition can be found at:  https://www.instagram.com/p/CF9oK7CjJRl/?igshid=1ekvm2eukkg7p




Saturday, 17 October 2020

Rare pieces of masters, contemporary artists for 6th Sogal art auction

'They Come From Makoko', (oil on canvas, 69 x 98 cm, 1991) by Kolade Oshinowo. Pic: c/o Signature Gallery.

AFTER five successful editions of adding commercial and critical values to the secondary art market, Sogal auction makes its 6th edition with quite a number of rare pieces.

For the 2020 edition, top modernists and contemporary artists will converge, featuring among others, paintings, drawings and sculptures by Ben Enwonwu, Abayomi  Barber, Kolade Oshinowo, Clary Nelson Cole, Muraina Oyelami and Rufus Ogundele.

Saturday, 10 October 2020

Cast, welded metal art practice disparity in post-modern Nigeria

A welded metal sculpture titled Sunflower by Olu Amoda. Pic: c/o of the artist.

TRACKING art of sculpture, from ancient Africa to post-modern period, has exposed time disparity between the two basic sub-medium of cast and welded metal. While the cast medium made its formal entry during colonial period, welded metal didn't emerge into mainstream space until the late 1970 to early 1980s.

As a source from which the world's artistic and technological advancement emerged, metal was hardly missing among African craftsmen of ancient ages. Being the parent source that covers silver, bronze, tin, gold, lead and iron, metal had been used across ages in Africa. In modern and contemporary context, metal art is sub-divided into welded and cast medium, based on the above listed derivatives. However, works and practice in cast metal, particularly bronze, has dwarfed that of the welded medium in modern and contemporary Nigerian art environment. While casting and smithing, in Africa, have history rooted in ancient periods, the former appears to be more resilient despite the latter's advantage in welding technology. 

Wednesday, 30 September 2020

Against suspicion, curators struggle in post-independence Nigeria


Godwin Adesoye's 'New Market' (oil and charcoal on canvas, 5ft x 4ft, 2015). Pic: c/o Translucent S.I.

DURING 60 years of post-independence Nigeria, curatorial practice was hardly active in mainstream exhibition circuits. Strangely too, some artists in Nigeria, still do not agree that artistic presentation requires critical input from a professional not involved in the creation of their art; they view curators through the prism of suspicion. 

Saturday, 26 September 2020

At 60, Ayoade shows 'Faces and Figures', celebrates with 'twin sister' Nigeria

Uncertainty (alcohol ink on yupo paper, 2019), by Mukaila Ayoade. Pic: c/o the artist.   

FROM working in Lagos, Nigeria, to his current base in Chicago, U.S., artist Mukaila Ayoade brings into a single space his oeuvre of over 30 years.

Ayoade, whose mastery in collage painting covered quite some art appreciation grounds in Nigeria before his relocation to the US, opens a solo show titled Expressions: Faces and Figures Collection on October 1, 2020 at Bridgeport Art Center, West 35th Street Chicago Illinois. The exhibition of about 45 works marks the artist's 60th birthday and also serves as his contribution to six decades celebration of Nigeria's independence anniversary.

Thursday, 17 September 2020

Self-reporting by celebrities killing gossip news media

Actress, Idowu Philips.
Pic: c/o Translucent S.I. Communication.
 

AS the new media space provides more freedom for everyone to publish their story, gossip journalism may be heading towards extinction. Most vulnerable are celebrity reporting desks of established news media organisations in Africa.

Friday, 11 September 2020

In Suowari's monochrome strokes, beauty, fashion blossom

  Ama' (ink and acrylic on paper, 5 x 8ft, 2020) by Jacqueline Suowari. Pic: from the artist.

DESPITE being the oldest form of art, figurative painting has been defined differently by each generation of artists across cultures. In the unfolding world of 21st century contemporary art that is giving figurative painting diverse tones, Jacqueline Suowari is one of such artists, whose brushstroke and ballpoint of fluidity are in romantic flow with monochromatic contents.

Friday, 4 September 2020

Future of Fuji music against past golden four decades

Founder of Fuji music, Chief  (Dr) Sikiru Ayinde Barrister (February 9, 1948-December 16, 2010). Pic: from 1991 album cover.
  
AS a teenage boy, growing up in Mushin, a Lagos suburb of the 1970s, the unfolding interest of the people in modern traditional music was, subconsciously, observed. Irrespective of what religion anyone belonged, it was impossible not to notice how every dawn period in the month of Ramadan included the 'Ajisari' culture, a musical known then as 'Were.'

Saturday, 29 August 2020

Prof Tijani, Nigeria’s new helmsman of museums, monuments

Dr Abba Isa Tijani
After three years without a substantive Director-General, Nigeria’s National Commission for Museums and Monuments finally got a helmsman. Lat week, the Minister of Information and Culture, Lai Mohammed announced Dr Abba Isa Tijani as the D-G of NCMM.

Thursday, 27 August 2020

NGA-NCMM merger 'suspended' as new DGs emerge

Lai Mohammed, Minister of Information and Culture.

With the newly announced appointments of Director-Generals for both National Gallery of Art (NGA) and National Commission for Museums and Monuments (NCMM), the anticipated merger of the two government agencies under Ministry of Information and Culture may have been suspended.

Wednesday, 19 August 2020

Remembering Dr Adadevoh with '93 Days' of proudly Nigerian courage

Patrick Sawyer (Keppy Ekpeyoung) in '93 Days'

As Nigerians, today, remember Dr Ameyo Stella Adadevoh, a frontline medic who stopped the deadly Ebola disease from spreading in the country, the film that recaptures the tragic story comes as a major memory till date.

Wednesday, 12 August 2020

Thought Pyramid celebrates contemporary masters

Directors of Thought Pyramid Art Centre, Ovie Omatsoka and Jeff Ajueshi.

Exiting the first two decades of 21st century, art in Nigeria will step into a new dawn, specifically from next year. A select group of artists under Thought Pyramid Art Centre-led new project are getting set to boost their pioneering antecedence in full-time studio  practice.

Monday, 10 August 2020

Sharjah Art Foundation’s 2020 Focal Point's open call


Sharjah Art Foundation (SAF), UAE, today, announces an open call for the second edition of the Focal Point' Publishing Grant.  The open call extends the Foundation’s mission to advance scholarly research and publish content that generates a more expansive understanding of the history of art in the region and its relationship with the wider world.