By Tajudeen Sowole
Influenced by native Doualan
culture and French modernity, visiting Cameroonian artist, Joel Mpah-Dooh
shares his style and technique with Lagos community of art enthusiasts in an
exhibition organised as as part of Francophonie week 2016.
Titled Time To Meet, the exhibition, which is
organised by Omenka Gallery and Alliance Francaise is currently showing till
April 3, 2016 the exhibition is Mpah-Dooh’s first solo effort
in Nigeria, an opportunity tha afforeds visitors to the show to see what the
organisers described as the artist's work on aluminum. The exhibits, they noted
are coming from "the depth of introspection" within the context human
begaviourial patterns across the world.
"The artist projects these contemplations
in metaphors relying on a medium, means and style," says a curatorial
statement attached with the works. "In this regard, Mpah-Dooh’s
Time To Meet comes in a complex of images that dwell on the
contradictions of human life."
From the soft copy of Mpah-Dooh's work, there
lies a bit of satirical forn insome of his forms that are a bridge between
drawing and painting. However, in art hub city like Lagos, where the space has
been more wider - beyond the conservative ceiling - Dooh's work arrives at the
appropriate time.
Mpah-Dooh is one of the finest artists on
the African continent and enjoys international critical acclaim with his
paintings and multi-media works. He lives and works in Douala, Cameroon, and
studied Fine Arts in Amiens, France.
Mpah-Dooh is preoccupied with experimentation
in his work. He is inspired by the tactile reality of his environment though he
is mostly an inner traveler. His techniques involve scratching and he works on
paper, canvas, corrugated iron and recently acrylic sheets, while incorporating
earth, paints, clay, packaging, wood and chalk. Mpah-Dooh explores the
fragility of individual human identity and how we reinvent ourselves while
moving and evolving in the city. He suggests that in the process, this delicate
“self” takes control
through conflict with society and its institutions while drawing on history and
destiny, as well as relationships. Mpah-Dooh’s oeuvre is
characterized by the mysterious and the familiar. He has an uncommon gift of
synchronizing conflicting elements; French and Doualan, traditional and modern,
while blending a myriad of influences.
Mpah-Dooh was a visiting artist at the Bag
Factory in Fordsbury, Johannesburg. Some of his exhibitions include Rendezvous,
which was the highlight of the 2006 Dakar Bienniale of African Contemporary Art
in Senegal. He also participated in Connections, an exhibition organized by the
MTN Art Foundation in 2001, alongside William Kentridge, Kendell Geers and
Samuel Fosso. He has held solo and group exhibitions in Cameroon, Austria,
Senegal, France, Cuba, Lebanon, Kenya and the United states.
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