When artist and lecturer,
Nnaemka Egwuibe showed a photography exhibition titled The Tutor and the
Tutored, with his former students at National Gallery of Art (NGA), Enugu,
few weeks ago, the debate about the strength of art content in photography was
expanded. Viewed via soft copies, shortly after the exhibition closed, works of
Egwuibe and his co exhibited artists Chinenye Eze, Doris Ukatu, Ifedili
Chibuike and Onyinye Ezennia rely on concept, style and technique in
appropriating the richness of art in photography.
Otu Nde Olu Ugbo by Ifedili Chibuike. |
With Photoshop
effect, Egwuibe and Chibuike bring digital effect technique into creative
photography, just as Ukatu, Ezenna and Eze add styles to conceptual imaging.
As much
as it could be argued that digital photography has widened the scope of
creativity, perhaps making conceptual imagery as easy as the touch of a button,
the ability of a photographer to make a great art out of the technology makes
the difference between snap shot and professional work. This much is seen in The
Fire Beneath, a pull out or separation technique implored by Egwuibe,
separating burning fire woods from the scenery. Similarly, Otu Nde Olu Ugbo
by Chibuike exudes a collage-like texture, stressing the strength of Photoshop
technique by separating the female blouses from the wrappers of aso-ebi group photograph. The technique
of creating colour spot or space in a black and white image, as seen in the
works of Egwuibe and Chibuike, is indeed becoming a growing trend in
contemporary photography parlance. Perhaps, the local content application,
based on environment of capture, would make the difference.
For Ezennia's Occupation, a misty capture,
in full colour, of a workman with highlights of red as burning spots, create an
energy that generates heat of high intensity.
Perhaps another way to fill atmospheric
temperature lies in Depth of Nature, high sun coastal scenery,
intensified by silhouette capture of a fisherman. However, in Ukatu's Untapped,
the central attention shifts from the medium as a tool in special effects to
the subject as performance, perhaps enhanced by props and costumes,
strengthening the art contents of photography.
The gathering, according to Egwuibe, is about
expanding "the on-going dialogues and debates surrounding photography from
the points of view of ’art’, ’skill’, ’creativity’ and ’aesthetics." The
exhibited artists, he argued, have taken a shot beyond the depth of traditional
rendition of photography. "Our creative strategy has been to appropriate
these effects associated with the “good old” traditional darkroom in our
manipulation with a more sophisticated digital darkroom," Egwuibe
explained.
A contributor to the appropriation of the exhibition,
Ayo Adewunmi who is HOD at Department of Graphic Design, Institute of
Management and Technology (IMT), Enugu argued in favour of a synergy between
photographer's instinct and the sophistication of digital photography software.
"Technique and equipment must combine with goals, vision, inspiration and
concept to produce what we may call art photography."
Egwuibe tracked the Tutored thus:
"Chinenye was the 2012 star prize winner of the Life in My City Art
Festival photography contest. She never runs out of ideas, especially with
her experiments with ’reflection.’
"Ukatu has not allowed family
responsibilities deter her from commitment to professional exploits. She has
also participated in both the Photo Africa exhibition and Life in My
City Art Festival for three consecutive times. She already has her works
collected both in Nigeria and abroad.
"For the past three years, Chibuike has
participated in the Life in My City Art Festival exhibition, Photo
Africa, and exhibitions organised by the NGA. As an art teacher under the
Nigerian National Youth Service programme, Chibuike’s outstanding projects in
his place of primary assignment won him the Best Youth Corp award for the
2014/2015 service year.
"Ezennia is ever experimenting with new ideas, which
apparently won her the Best in Originality award in the 2014 Life in My City
Art Festival. She has also participated in Photo Africa and has had
her works included in NGA exhibitions."
The Tutor stressed what he described
as exploits of his ex-students who have proven to be committed professionals.
"They have all demonstrated boldness in the exploration of new ideas,
tools and techniques."
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