By
Tajudeen Sowole
INSIDE
the lobby of the newly opened InterContinental Lagos, works of the artist, Efe
Okorare, adorns the expansive space, adding painterly content to the
architectural masterpiece of the new hotel.
Art shows outside the regular gallery
space, particularly in the lobby of hotels and events venue often get lost in
appreciation. But for Okorare’s Art
Forever series, which was promoted by Link Art, the works, which were
mounted on easles few days before the opening ceremony of the hotel was not so
difficult getting people’s attention; his kind of art roves between abstraction
and representation.
In a painting titled era of Keke (Tricycle), the artist puts his
viewer’s sense of minimalism to test, just a thin line of yellow that swims all
over the image that struggling to get noticed from the black dominance gives
out the image as the fledging tricycle
– a new replacement for motorcycles (okada) as another means of
transportation in Lagos metropolis.
One of Efe Okorare's works, Ijoya (Dancing Time) |
The artist notes that
tricycles always get his attention on the road, more “for the dangerous way in
which the riders speed on the road”. Indeed, Okorare’s observation on the
conduct of the tricycles on Lagos roads echoes most citizens’ worries about the
restrictions of the tricycle to inner roads, which has not been fully enforced.
Perhaps flaunting his ability to render
impressive figures, Okorare also shows quite a number of representational
pieces, mostly in mixed media of painting on fabrics.
One of such works, Ijoya (Dancing Time) suggests that the
trend of painting on fabrics is spreading very fast among artists, in the last
few years. Okorare admits that Ijoya
“is a tribute to Kolade Oshinowo”, a prolific painter who, in his recent works
has strengthened his love for using fabric to add conceptual flavor to his
canvas.
While Oshinowo’s style of fabric
painting attracts Okorare’s attention, he recalls falling in love with master
printmaker, Bruce Onobrakpeya’s attitude to work as well as prominent art
collector, Sammy Olagbaju’s advice. “Onobrakpeya words inspired me. He always told
me to keep working. Uncle Olagbaju advised me to work in series”.
He says, “art is the most beautiful
thing in life”, inspiring him “to live it to the fullest”.
Art, he continues “can
never get extinct”. From his conviction on the reliance of art comes his the
third solo exhibition Art Forever in the Art Link series.
Born in Lagos, in 1979, Okorare says his journey into art
started very early in life. “At
11, I started painting and sketching under the guidance of my father.”
Okorare studied at Ahmadu
Bello University Zaria graduating with a B.A. in Art History in 2004. He has
also participated in several group shows and art expos/workshops. He has also
been commissioned to produce works for notable oil and gas and design firms in
Lagos, Nigeria.
He was once a staff of the Bruce
Onobrakpeya Foundation (BOF) and the Visual Arts Society of Nigeria (VASON). He
is currently the Art Initiator of Linkart Concepts, a Member of the Art
Galleries Association of Nigeria (AGAN) and Society of Nigerian Artists (SNA).
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