By
Tajudeen Sowole
The
National Commission for Museums and Monuments (NCMM) has challenged the
legitimacy claims of Museum of Fine Arts, Boston U.S., which, few weeks ago
received 32 works of Benin origin from the heir of one of the beneficiaries of
the infamous 1897 Benin punitive expedition.
The
works, which include 28 bronzes and six ivories were donated to the
Boston museum by Mr. Robert Owen Lehman, a great-grandson of founder
of Lehman Brothers. According to sources, the senior Lehman bought
the works from dealers and at auctions from the 1950s through the ’70s.
In his response, the Director-General of NCMM, Mallam Yusuf Abdallah Usman
faulted Museum of Fine Arts, Boston for its claim that the donation met
all legal standards.
When the Boston museum received the works, a senior
curator of African and Oceanic Art of Museum of Fine Arts, Boston museum,
Christraud Geary stated: “We have looked at the legal situation here at the
museum and we’ve come to the conclusion that the gift meets all of our
standards.”
She noted there was no official claims for the works, and
Rogers agreed there has been no claim made.
One of the Lehman's donations, a commemorative Head of Benin Oba (king), late 16th Century. |
In
apparent response, Usman stated that the NCMM opposed the stance of the
Museum of Fine Art. He stressed that "objects taken illegally should
be returned to their rightful owners and in this case the people of
Nigeria. No one can give objective and true history of their
patrimony however much they tried than the true owners."
The
works are scheduled to go on display at the museum in late 2013, However,
Usman argued that the works should be returned to Nigeria "where they
will be meaningful and happy to thrive helping to define reality for the
people, explaining the past and shaping the future."
While
being ecstatic about the donation, the Boston museum recalled, “many works of
art in the Lehman Collection are known to have left Benin in 1897, and the
remainder likely left at the same time. A number of these appear in
publications from 1900 onwards,” the museum added, saying the works “have not
been seen by the public for several decades.”
The
NCMM boss said: "For the avoidance of doubt we hereby place it on record
that we demand, as we have always done, the return of these looted works and
all stolen, removed or looted artifacts from Nigeria under whatever guise.
"We
wish to also call on the management of the Museum of Fine Arts, Boston, US to
as a matter of self respect return the 32 works to Nigeria, the rightful owners
forthwith."
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