By Tajudeen Sowole
For most young generations of
Africans, the city of Manchester, U.K. is synonymous with football. But
currently, art of West Africa is being celebrated in the backyard of the famous
coach of Manchester United, Sir Alex Ferguson.
About 30 visual artists and musicians from 11 countries in West
Africa are showcasing their works in a gathering titled We Face Forward, which is a sub-event of the yearly London
Festival. Among the musicians are Femi Kuti and
Angelique Kidjo.
Started over
a week ago and running till September 16, 2012, according to reports, the show
features painting, photography, textiles, sculpture, video and audio
installation of 32 artists as well as fashion and music from top artistes of
West African descent. One of about six Nigerian artists participating in the
show, Victoria Udondian presents a new textile work at
Whitworth Art Gallery’s textile collection.
Master of found objects, Ghanaian-Nigerian, El-Anatsui
presents In the World But Don’t Know the
World?
Udondian’s work is about “combining materials and narratives from Lagos
and Manchester, weaving myths and histories into her own textiles, hybrids and
questioning how stories become histories.”
The artist says there
exists some consequences on the perception of one’s identity when the language
of the fabrics one wears is changed fundamentally.
Photographer,
George Osodi, who presents one of his Paradise Lost series on Niger Delta,
declares that “people are of great value to me, especially what I call the real
people. They are a source of joy and inspiration to me. In recent times, the
impact of oil in the lives of most oil-producing regions has been highly
paradoxical… I want to put a human face on this paradise lost.”
Duro Olowu, a
U.K.-based Nigerian designer, said his work is “like my eye,
certainly international in its aesthetic, offbeat yet focused. As such, I am always
open to the surprise of the new, the technique and skill of the past and the
ability of fashion and art to challenge preconceived ideas of taste and
culture.”
A U.S.-based
Nigerian, Nnenna Okore presents an installation titled When the Heavens Meet the
Earth. The work is described as “seemingly
floating somewhere in front of the wall; it is partly fixed to the wall and
suspended from the ceiling, emerging in relief.”
Benin Republic artist, Georges Adéagbo, whose work is presented at
the Whitworth Art Gallery “incorporates archival
and found material from the immediate surroundings, illuminating and tracing
relationships between Manchester and Cotonou, via the wider context of the UK,
France, America and Africa.”
Taking the opportunity of the Olympic Summer, the organisers
said, “We are celebrating the global and the local, exploring the links between
Manchester and West Africa as part of the London 2012 cultural festival.”
Exhibiting artists are Georges Hélène Amazou (Togo / Belgium),
Lucy Azubuike (Nigeria), Mohamed Camara (Mali / France), Cheick Diallo (Mali /
France), Aida Duplessis (Mali), Em’kal Eyongakpa (Cameroon), Aboubakar Fofana
(Mali / France), Meschac Gaba (Benin/ Netherlands), Francois-Xavier Gbré (
Ivory Coast / France), Romuald Hazoumè (Benin), Abdoulaye Armin Kane (Senegal),
Abdoulaye Konaté (Mali) and Soungalo Malé (Mali).
Others are Hamidou
Maiga (Burkina Faso), Nii Obodai (Ghana), Emeka Ogboh (Nigeria), Abraham
Oghobase, Amarachi Okafor (Nigeria / UK), Charles Okereke (Nigeria), Nnenna
Okore (Nigeria / USA), Nyaba Leon Ouedraogo (Burkina Faso), Ibrahima Niang AKA
Piniang (Senegal), Nyani Quarmyne (Ghana), Abderramane Sakaly (Senegal / Mali),
Amadou Sanogo (Mali), Malick Sidibé (Mali), Pascale Marthine Tayou (Cameroon /
Belgium), Barthélémy Toguo (Cameroon / France), Séraphin Zounyekpe (Benin).
According to the
curator, Natasha Howes, the gathering asks the rest of the world to take
another look at influence of Africa on globalisation within the context of
commerce and environmental challenges, maintaining, “Major new sculptural
installations, painting, drawing, photography, textiles, video, sound and
fashion ask us to consider global questions of trade and commerce, cultural
influence, environmental destruction and identity. Challenging and humorous,
curious, noisy, elegiac and eclectic – this is the dynamism of West African
cultures today.”
The art and
fashion shows hold at Manchester Art Gallery, Whitworth Art Gallery and the
Gallery of Costume (Platt Hall).
The music programme, which is being curated by Band On The Wall and The
Manchester Museum, also features Diabel Cissohko and Kanda Bongo
Man. Others are Eliades Ochoa of Buena Vista Social Club and Toumani
Diabaté (Cuba / Mali), Diabel Cissokho (Senegal), Angelique Kidjo with
Manchester World Voices Choir (Benin / UK) ; Dele Sosimi Afrobeat Orchestra
(Nigeria / UK); Endless Journey – featuring members of Mamane Barka and Etran
Finatawa (Niger); Kanda Bongo Man (Congo / UK); Jaliba Kuyateh & The
Kumareh Band (Gambia); Seckou Keita Band (Senegal / UK). City-wide exhibition
of leading contemporary artists from West Africa
Other highlights include new installations commissioned for
galleries and parks, concerts with many world-renowned musicians, including
AfroCubism, exhibitions of fashion, photography, football and storytelling.
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