BY TAJUDEEN SOWOLE
BEYOND the security
challenges and recurring political tensions in the country, the artist, Israel
Benamaisia, sees hope, which he describes as beauty of colours across Nigeria. He
shares this optimism at a recent show titled, Colours of Nigeria, which held at the Arts Gallery, National
Museum, Onikan, Lagos.
Benamaisia says his participation in festivals and cultural
activities across the country exposed these beauties to his palette. From Benin
to the rest of Niger Delta, through the southeast, north and southwest,
Benamaisia captures the beauty of dances and costumes at festivals and other cultural
activities of Nigerian.
For the Izon (South-South) and Ondo people among the
Yourba, wedding appears to have won the artist’s attention, as he showcases the
Izon Royal Wedding Procession as well as the Ondo Wedding ceremony.
In the popular Arugungu Fishing Festival of Kebbi State, Benamaisia shows
the excitement of such event in The Competitors.
The images — stylised
representation and semi-abstract forms — expose an artist sandwiched by
identity.
Fishermen's Stampede III, acrylic on canvas, by Isreal Benamaisia |
Whatever his mission, he appears to have surrendered
conceptuality to the dictate of the viewing public or art connoisseurs. And has
been argued, an artist naturally possesses the intellectual strength to dictate
the direction of the public’s perception, even manipulates people’s choice of
collection to fit his concept. Benamaisia is not short of such quality.
Why was he
reluctant? “I am not afraid of anything. As I said, for this show, the message
has to be conveyed in the simplest form; and I think figurative painting does
that.”
Indeed, the artist has a depth of
conceptuality in his vein, as seen in such works as Geometric Composition and Fishermen’s
Stampede III, simply acrylic on canvas, no protruding surface.
Sisterly support from ex-TV girl Ruth Benamaisia (right) |
HOWEVER, he appears so
passionate about promoting the beauty and colours of his fatherland such that
the opening, though had light attendance, was rich in class of people who
either came to view or tagged some works.
Specifically, his mission, he says “includes a rich
destination for cultural and artistic tourism and investment, and also to
rekindle and sustain interest in our cultural heritage aside from emphasising the
significance of culture as a tool for building mutual understanding among
different peoples.”
He projects
that the works will serve as visual documentation of the people’s culture in
view of the fact that they are fast going through adulteration, infiltration
and outright adaption of foreign ideals and colouration.”
Having been out of the show circuit for over a decade,
Benamaisia’s return with Colour of
Nigeria may just be the platform to reassert his creativity, as he
introduces a more textured surface on his canvas with the Plaster of Paris
(POP).
In his CV, he listed, as part of his past shows, a permanent
exhibition at the Federal Palace Hotel, Victoria Island, Lagos (2006 to 2009)
and the United States Information
Service/Yaba College of Technology Print Exhibition and others.
Also, some of his works can be viewed at the Federal
Palace Hotel, Nigeria LNG Ltd., Ecobank, Cactus Restaurant and Chevron Nigeria
Ltd.
Ere Oloba Dance
(Ekiti State)
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