By
Tajudeen Sowole
If
innovation begins with thoughts, the importance of the thinker is crucial, so
suggests a new body of work by Olawunmi Banjo, which beams creative searchlight
on Africa's quest for a true liberation.
Titled Mind
Revolution, Banjo's thoughts, expressed in a solo art exhibition, which
opens at Nike Art Centre, Lekki, Lagos today, ending November 7, 2014 speak to
the Africans via portraiture and surreal images rendered in paintings. The
exhibition, technically, strengthens Banjo's identity of conceptual
communication through portraits.
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A painting, Choice of Freedom III (Oil on Canvas) from Olawunmi Banjo’s Mind Revolution |
A quiet artist, who in the past ten years has
built her career through several group art exhibitions and fulltime studio
practice, Banjo, currently being managed by Legacy Empire Management, tests the
waters of Lagos art scene proper as she makes her debut solo art show in images
of incendiary volume.
Though in mostly of children and young adults
depictions, some of the works such as Mind
Influence, Illumine Series, Hidden Potentials, Conforter and Conscious Break
also appear like the motivational lead that Africans across ages need to rescue
the future from the current state of despair.
Ahead of the opening of Mind Revolution, Banjo stated that the body of work "is
tailored to re-orientate the mindsets of our people towards progressiveness,
and how creative minds and ideas in Nigeria and Africa at large can be
empowered. She argued: "If people start to develop the initiative of
thought to invest adequately in creative mind resources and ideas, then
attention will be a bit deviated from focusing mainly on natural
resources."
Consistently focusing on mind or
psycho-related subjects, one of Banjo’s last outings, a group exhibition titled
Colours and Creativity reminds one
of the artist’s painting Wired Mind exhibited two years ago. Between
then and now, Banjo’s fluidity in the draughtsmanship skill appears to have
been stepped up drastically. And from the viewing of works for Mind
Revolution via a pdf soft copy of the images, the pronounced and sometimes
eye-popping earth colour for the skin, which charaterised her canvas in the
past now gets a toning down.
As a painter of conceptual contents, Banjo has, with Mind Revolution shown that art can carry issue-based themes
alongside aesthetics and other creative values. But the artist is more
passionate about the message. "From my observation as an artist, I have discovered that many
creative talents are discouraged and frustrated in attaining their creative
potential due to the lack of adequate structures and sufficient support.”
And thought for leadership as she advised
Africa to fast track its exit from the status of the largest consumer of global
innovations in the twenty first century. The people’s idea, she argued, “should
be part of the global market and contribute relevant innovations in world
consumption.” Banjo stressed that “many intellectuals and creative minds have
left the continent just as more are still leaving,” in a situation she
described as “lack of appreciation of their creativity at home.” But such ‘runaways,’ she argued, are adding
enormous value to other continents’ development. She hoped that Mind
Revolution, will make people see that “we are more than a consuming continent,
particularly when we stop focusing mainly on natural resources and channel our
mental productivity towards creative ideas and innovations that are globally
relevant—which is very possible to achieve.”
Specifically, her areas of focus in the
exhibition include “Self- awareness, self-acceptance, self-appreciation, self-support
along with love for our own, needs to be engraved deep in our hearts.”
Banjo picked the 2nd prize at The Experience
Nigeria 2008 Art competition, organized by A.A.R.C. Titled "Nigerians at
work. Some of her group exhibitions included Canopy” By Conoco Philips at the
Nike Art Gallery. Lekki, Lagos; 5th International All
Female Art Exhibition “Colours & Creativity” at the National Museum,
Onikan-Lagos. 201; Exhibited and organized the female section of the Send forth
Exhibition for the U.S. Ambassador to Nigeria Dr. Robin Renee Sanders at the
Nike Art Gallery. Lekki Lagos. 2010; Interpreted the logo for 50 @ 50: Nigerian
Women, the Journey so far, organized by the first Lady's Women for change
Initiative. Abuja. 2010; Ikoyi Club 1938, Golf Section “Art of Golf”. Organized
by A.A.R.C. 2009; 2nd Annual Art Exhibition “Fyne ArtDiction” , Southern Sun
Hotel Ikoyi, Lagos. 2009; Championship Cup, Ikoyi Club 1938, Golf Section.
Ikoyi, Lagos. 2009; andFadan Fashion show and competition, Lagos Civic Centre.
2009; The 17th Annual Experience Nigeria 2008 Art show and Art competition
“Nigerian(s) At Work” By (A.A.R.C) African Art Resource Center, National
Museum, Onikan, Lagos; Exhibited at The Nigerian Cup” Golf Tournament, Ikoyi
Club 1938, Golf Section. 2008; and The first Annual Art Exhibition ITA
Foundation “Serendipity” at the Didi Museum. Victoria Island, Lagos. 2008.
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