By Tajudeen Sowole
From his last month’s exhibition of Portraits in South Africa, photographer, Lakin Ogunbanwo returned home to another show titled Muse, a two-parts event, which will open on December 19, and run till February 19, 2014 at The Wheatbaker, Victoria Island, Lagos.
The part one
of Muse which was on for four days at Didi Museum, Victoria Island,
Lagos added to the surging presence of photography on the Lagos art scene in
the past few years. Coming from a fashion and modelling photography background,
Ogunbanwo’s current form as a photo artist is unavoidably portraiture.
Largely
made of studio shots, some of the 35 works, he explained, are extension of his
familiarity with models, exposing the other side of runways that is hiding from
the people. He disclosed that it’s about “playing around with the perceptions
of glamour associated with modelling; a glimpse into their real lives.”
In a chosen
area as common as portrait photography, Ogunbanwo is defining his style by
experimenting with the dark side of imagery, yet striving to render ‘beautiful
images’.
When he had
his first solo titled Mask at Terra Kulture last year, some of the works
looked like shots with traces of evolving conceptuality from a photographer in
search of identity. But at a preview ahead of the opening of the first
part of Muse, Ogunbanwo’s images have taken a leap into a stronger
conceptual form.
He
described his current state of conceptual imagery as “juxtaposition between
highly stylised and a subtle raw” rendition
Trained as lawyer
in the U.K., the young photographer who later studied photography at Speos
Paris Photographic Institute, France boasted that he is the face of an average
Nigerian or African youth hidden from the world. “Being from a law background
and now into photography is a bold step and no regret.”
When he
returned to Nigeria, Ogunbanwo started from the fashion industry, style.”
Appears to
have garnered experience with several exhibitions and work knowledge across
Africa, Ogunbanwo recently earned a top spot testing his ability to interpret
beauty in his “own provocative on CNN’s profile of ‘Africa’s Most Exciting New
Photographers’.
About his Portraits
show in South Africa, at Rooke & Van Wyk, Johannesburg, he noted the impact
of technology on contemporary culture, arguing that photography in Africa is
largely aided by access to the Internet. “It is within this sketch that I
forged a striking visual vocabulary through making portraits. I construct
singular images, reconfiguring the human element and challenging some
preconceived ideas of portraiture, of Lagosians, Nigerians, and Africans.”
This much Portraits
represented, Ogunbanwo explained. “It raises many questions – Who are these
people? Why are they being portrayed? What is the relationship between them and
the photographer? And are these ‘African’ portraits?”
“Through
my distinctive vision, I challenge viewers to immerse themselves in the idea of
possibility within the notions of beauty and identity; holding your attention
with visuals that draw you into the subjects for how they look, and sometimes
for who they may possibly be.”
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