By
Tajudeen Sowole
Culture
promoter and socialite, Angela Onyeador may have passed on, but her contribution to
Nigeria's art and culture space would not be left out in the history of Nigeria’s creative
sector.
In establishing her passion for the
creative sector, Onyeador – a public relation expert – set up African
Foundation for the Arts (AFA).
She died in the U.S., on Monday, June
11, 2012, in her 50s.
Despite being known as promoter of the
Arts, she always insisted that Public Relation was her profession.
Also more glamorously known for
organising beauty contests in the 1980s, her enduring legacy, however, is
promoting visual arts. In fact, Onyeador’s art gallery, African Foundation for the
Arts Gallery (AFA), Victoria Island, Lagos is still active till date.
The
last exhibition held at the gallery, between December 2011 and January this
year, showed that the gallery was not dormant, contrary to perception. Titled Artistic Juice, a body of work by Ibrahim Gbadamosi shown in the gallery was
also meant to be the window for a new beginning for the gallery.
The curator of the gallery, Earnest Chukwurah, stated, “we will continue to
export talented and bold artists like Gbadamosi who follow their passion.”
Angela Onyeador |
On the quality, which the gallery looks out for in artists, Chukwurah said, for
example, Gbadamosi has improved from his rug and shoemaking days, though, “he
does not have a definite style yet, and this is typical of most artists in the
beginning of their career when they test the waters and experiment with
difference styles and techniques.”
For the artist, it was not the kind of show expected to elicit
curiosity, but when he made his debut at the AFA Gallery, he set the scene for
critical discussions of his yet to be codified ‘artistic corpus’.
The contents of the show challenged all held assumptions about the
border between craft and art. Gbadamosi, perhaps, being a self-taught artist,
innocently, presented works that will set the academia reflecting on the
dichotomy between craft and art.
Onyador’s touch on the art and culture apparently was not
accidental. As a student at the Queen’s College, Yaba, Lagos, she had gone
through the rudiments of music and Fine Arts.
As fate did not allow her to end up an artist – largely due to the fact
that she yielded to her parents’ resistance – she grew up to release that passion in
promoting art and culture.
Onyeador, a native of Arochukwu, Abia State and child of Alexander and
Beartrice Onyeador, was well known as one of the top collectors of African art
of diverse nativity.
Sometimes there is a prize, perhaps, burden in
promoting art. But for Onyeador, these are not enough to distract her, always
arguing that that art and culture have a big part in the future of Nigeria.
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