By Tajudeen Sowole
In
defence of the positive and undying Nigerian spirit as against the
stereotype usually depicted in movie, a warning has been echoed,
this time from a foreigner.
At
the ongoing 2nd Ife International Film Festival, holding at Obafemi
Awolowo University, Ile Ife Osun State, renowned Ghanaian filmmaker,
Kwaw Ansah who presented a paper on the history of cinema in Ghana
argued that the Nigerian character his country is used to over the ages
before the coming of Nigerian home video is a hardworking and
enterprising person and not fraudster and ritualists being portrayed in
the home video industry.
Ansah recalled that the honesty of Nigerians in Ghana has yielded fruits
in such area as commercial activities. He explained that names like
alata (pepper seller) is popular in Ghana as a result of the industrious
nature of an average Nigerian.
"The
Nigerian we know is that man or woman who, through selling pepper,
alata, is able to make bigger business. Today, in Ghana one of the
leading markets is called Mokola, a Nigerian name."
Meanwhile, the prospect of the nation’s film industry as a reliable source of income has been emphasized. The
Honourable Minister of Culture and Tourism, Senator Bello Gada who was
the Special Guest of Honour of the event stated that Nollywood could be a
huge source of wealth for the country.
During
his remark presented by his representative to the occasion, Mr Seyi
Womiloju, the minister while noting that the theme of the festival is
timely to address issues affecting the industry, assured stakeholders
that the government is willing to offer necessary assistance to ensure
the development of the sector.
The theme of the festival is African Film: Looking Back and Looking Forward.
Film
festivals, he explained, are expected to contribute to the development
of the industry and renew determination of the industry home and abroad.
The government, he added, will not relent in its fight against piracy.
He
stated: “While government will continue to support the industry,
especially in the fight against piracy, I want to call on the private
sector not to give up the fight.”
And
as quality of the output from the industry keeps generating concerns,
the minister urged said “we need to improve a great deal on the quality
of works produced to face the challenges of the future/ I have no doubt in my mind that Nollywood will soon be one of the leading sources of the nation’s revenue.”
Among the participants at the event were about ten delegates from across Africa and in the Diaspora. Countries represented included Kenya, Uganda, Tanzania, USA, South Africa, among others.
In
his welcome address, the Vice Chancellor of the university, Professor
Micheal Faborede noted that it is not by accident that the university is
hosting such an event of wide cultural dimension. OAU, he argued is
well positioned to be leading voice in Africa’s movie world.
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Foluke Ogunleye |
He said: “Indeed for god measure, Obafemi Awolowo University has made a great impact on the film industry in Africa/ Right from the days of the old Institute of African Studies,
film had played a very prominent role in the university. Films were
produced by Frank Speed in the 1970s, with the themes focusing on
performance and management. Nobel Laureate, Professor Wole Soyinka also
made a very important film, Blues for the Prodigal in 1984, while he was
lecturing in the university.”
He
used the occasion to inform the gathering that the Department of
Dramatic Arts is now training students in camera, non-linear editing,
modern equipment, “preparing them for a challenging future of self
employment as movie makers without running after non-exisisting salaried
jobs.”
In
her address, the director of the festival, Dr, Foluke Ogunleye while
explaining that the theme of the day deals with the nature of the film
profession, added that “it is hoped that a new vision of filmmaking will
arise from the this workshop”
The
chairman of the occasion, Ambasador Segun Olusola attempted to trace
the link between TV and film and recalled that back in his active days
as actor and producer it was very difficult to differentiate between TV
and film. He therefore used the occasion to remind the audience that TV
in the whole of Africa started with the establishment of WNTV in Ibadan, 1959. That landmark, he added, will be 50 years old and celebrated in September this year.
At
a gathering of this nature, the past cannot escape. This was witnessed
when the first paper of the event presented by Professor of Comparative
Literature, Manthia Diawara of the University of New York
woke up the spirit of late Senegalese statesman and poet, Leopold Senghou.
Diawara argued that the vision of the late controversial literary giant
was not shared by most leaders of African cultural revival, hence the
continue dominance of Western culture in the continent.
For the Ghanaian film legend, Ansah, whose paper was based on the history of film in Ghana,
the commonality shared between great leaders like Kwame Nkrumah,
Obafemi Awolowo and Nnamidi Azikiwe should be enacted today through film, to reduce Western influence. Ansah recalled that the coming together of the three leaders led to the eventual independence of Ghana in 1967 and Nigeria later in 1960.
According to Ansah, the position of Ghana
as a leading spot in filmmaking during and after the colonial days, is
however not commensurate with the current situation in the country.
Today, Nigerian home video, he said, has “over ran” the emerging Ghanaian
industry. While commending the role of Nigerian video in reducing the
influence of Western films across the African continent, Ansah wanted more
positive portrayal.
Other sessions
at the event included workshop on Voice and Speech, presided over by
Prof. Wendy Cleman of Albany University State University, Georgia,
US. Lead paper for the session was presented by the managing director of
Nigerian Film Corporation, NFC, Afolabi Adesanya.
Another session called Masterclass, featured Busola Holloway and Jetta Amata.
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