By Tajudeen
Sowole
After seven
editions, Africa Now auction, which has been holding yearly in London,
U.K since 2008 expands its sales from once to twice every year starting from
next month. Organised by one of Europe's leading auction houses, Bonhams, Africa
Now also has a new look in segmentation of the sales into Modern and
Contemporary.
'African Woman with Gele by Yusuf Grillo |
Earlier, in a presentation titled Nigeria
at the Centre of a New Scramble for Africa, Peppiatt noted that art from
Nigeria is playing a leading role in the ongoing increase in value of African
artists. He cautioned that the 21 century
scramble for Africa is not about the balkanisation of the continent that
paved way for colonialism, but about the rich art of the continent. "Not
for land or gold or diamonds this time, but for art. It is a rather different
kind of tussle and one that is making art a viable occupation for artists
across Africa."
Recalling the journey of Africa Now
auction, Peppiatt noted how "the market has changed beyond recognition in
that time." His presence in Lagos, he disclosed, was to assess the last
eight years and "take stock and look at the African art market; what has
been achieved and what we might expect to come."
Nigeria,
he insisted, "has led the way in this
revolution with artists and prices that have dominated the results coming out
of Africa." He noted that
Bonhams has, since the Africa Now auction, given artists from West Africa
world auction records. "We have set world records for all major artists in
this field: Ben Enwonwu; Yusuf Grillo, El Anatsui, Kolade Oshinowo, Uche Okeke
the list goes on and on."
Sharing the Bonhams experience in African art
auction at international market, Peppiatt argued that prior to the Africa Now
sales, "Modern and Contemporary African art had not really been seen in
London or on the international market before and certainly had not been
marketed in such a prestigious manner." Indeed, he was slightly correct,
at least within the argument of lack of art market for modern and contemporary
African art. However, art from Africa, particularly modernity, were not exactly
strange to the west, given the exploit of Osogbo breed of artists such as Jimoh
Buraimoh, Twin Seven Seven, Muraina Oyelami, among others in the 1970s/80s, across
Europe and U.S.
Arguably, the last eight years has changed the
market value of African art, both in Nigeria and the International scene. QUite
a lot of energy has been invested to boost the market. "With all the
attendant events, such as receptions and dinners, we found that international
and African collectors were delighted to view these works and even more
delighted to purchase the best examples for what they perceived to reasonable
prices,"Peppiatt explained.
And the prospect keeps showing bright future.
"The fact is that modern and contemporary African art is today one of the
hottest properties on the art block." In fact he predicted that "Africa is the new China when it comes
to art." He traced the prospect of African art to the interest by institutions
of high repute based in the west.
"When the Tate, the Smithsonian and other similar institutions
start openly acquiring Contemporary African Art, then one knows that something
strange and wonderful has occurred and that real change is in the air."
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