By Tajudeen Sowole
On a morality note, young artist, Johnson Uwadinma makes a debut solo art exhibition titled Aphorism, which opens today ending12, November 2013 at Mydrim Gallery, Ikoyi Lagos Island.
In figural and abstracts with lots of
motifs, Uwadinma’s painting challenges man’s responsibility towards peaceful
co-existence as the artist hinges the theme of the exhibition on what he
describes as “bringing to fore, the issue of immorality, lack of trust”. The
artist, as young as he is, expresses concern “about the declining political, social
and economic value in the country”.
Although the artist’s work is making
the first prominent appearance in the public space, some of his works look very
familiar. Aside the non-monochromatic look of his work, some of the figures as
well as signs appear like images pulled out of a Ghanaian artist, Owusu
Ankomah’s canvas.
On a morality note, young artist, Johnson Uwadinma makes a debut solo art exhibition titled Aphorism, which opens today ending12, November 2013 at Mydrim Gallery, Ikoyi Lagos Island.
From Johnson Uwadinma’s Aphorism, a painting titled Everone Has A Purpose |
However, Uwadinma
diffuses a possible identity issue by populating his work with cubes and applying
colours as against the monochromatic and hues look of Ankomah. The young artist also builds spiritual
factors into his work. For example in Groping
in the Dark, Uwadunma, graphically takes his subject in a cameo composite,
placing the figure against a darkened background. He argues that no matter how knowledgeable
man is “his dilemma comes” when a problem is beyond his powers.
With series Life is Full of Possibilities I and II, Uwadinma goes deeper into abstraction, using lines extensively
to explain that no matter how confused a situation is there would always be a
way out. While Life is Full of Possibilities I offers
an easier way out of the crosses of lines, II
appears to represent the stronger challenges of life. However, a closer look
indicates that indeed, there would always be a way out.
Quite of interest that the young artist
proffers spiritual solutions to getting out of crisis; this much he stresses in
a half figure piece titled Wisdom
Elevates, just as he warns that “Wisdom is Better than Gold and Silver”.
From the diverse cultures and African
traditional religions, artists have brought motifs and signs to engage
contemporaneity. For Uwadinma, he has tapped “from Nsibidi”, the eastern
Nigeria native art contents. But he agrees that in a global village, there is
need to bring other signs, hence “I used non-African motifs too”.
Having been on the art scene since 2007
when he “started with impressionism”, Aphorism
as his debut solo art exhibition, he recalls “has been in my plan since 2012”.
Signs and motifs, he discloses “started featuring in my art since 2009”.
Indeed, the artist is proving
that he has been looking forward to the show as he populates the Mydrim Art
Gallery with as much as 80 paintings.
He assures that Aphorism will “offer
visual narratives that implore a discourse on life and living” as well as “the
dynamics of existence and the significance of truth and morality in man's
earthly sojourn”.
Uwadinma’s bio states that he was born
in Zaria, Kaduna State, Nigeria. He obtained a B.A in Fine Art and Design
(Painting Major) and an MFA in Painting from the University of Port Harcourt in
2005 and 2013. He is a recipient of several awards including Chief Jubilee Owei
Art Prize for Excellence and First Prize, NNPC/EPNL World Environment Day Art
Competition.
He has participated in several
exhibitions and has his works in private and public collection.
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