Two weeks ago, Adeola Balogun, a sculptor artist,
and a Senior lecturer in Yaba College of Technology, Lagos, left the shores of
this country for two months residency programme in Sweden. This is being funded
by Quintessence gallery in Lagos, Astley Gallery, Uttersberg, Sweden and the
Nigerian Embassy in Stockholm Sweden. This exposure has become necessary to open up this prolific artist to research and new
techniques in his field of study.
Adeola started exhibiting works since 1991 and has more than 22
years experience which he brings to bear in this project that also offers
him the opportunity to lecture in near by Universities and colleges with the support of Gunnar
Ternstedt, an engineer who has offered his farm house and tools for the first one month.
Adeola will also be showing an exhibition of his
works first in Trollhattan, on 10th of June and then at Astley
Gallery in Uttersberg at the end of his programme.
The first exhibition he titled Matter Redirected will
showcase 20 sculptural pieces and drawings using horse shoes and farm implements.
Horse shoe is a fabricate product used to protect a horse hoof from tear and
they are made available in a variety of styles and materials. It is interesting
to know that horseshoe is kept as a talisman in some parts of the world because
it is said to bring good luck depending on how you hang it. If the ends are facing
upwards then you got it right. It will collect and keep all the luck you
desire. The farm implements includes the planter, seed drill, fertilizer
spread, spike, cultivator and cultipacker, weight sorter and other impliments. Adeola
is redirecting all these matters that are no long in use into witty,
compositions and visible art pieces.
Responding to what inspires him, Adeola said, before an artist would attempt to represent perceived objects or scenes either on a flat surface or on a three dimensional format, he or she must first be moved by it. This assertion was aptly stated by Harold Speed thus: “It is not enough in artistic drawing to portray accurately and in cold blood the appearance of objects. To express form one must first be moved by it.” He feels really welcomed in Sweden and is greatly moved by what he has seen.
Responding to what inspires him, Adeola said, before an artist would attempt to represent perceived objects or scenes either on a flat surface or on a three dimensional format, he or she must first be moved by it. This assertion was aptly stated by Harold Speed thus: “It is not enough in artistic drawing to portray accurately and in cold blood the appearance of objects. To express form one must first be moved by it.” He feels really welcomed in Sweden and is greatly moved by what he has seen.
Adeola intends
to use his works as a moving
testament of the creative skill of the Nigerian artist and to promote our
culture and capabilities. His works will no doubt generates a lot of discourses
in faraway Sweden.
Adeola will also be participating in workshops
organized by Anders Nyhlen the curator of Astley Gallery in Uttersberg. Anders gave Kunle Adeyemi, a renowned artist
known for his paintograph and paintocast technique, a similar experience during
his residency three years ago.
Adeola had the opportunity of meeting with the
Nigerian Ambassador to the Scandinavian countries in Stockholm. Ambassador Benedict
Onochie Amobi is an amiable fellow who has shown remarkable love and support for Nigerian Art. He
will be Adeola’s special guest at the opening of his exhibitions.
The
art community wishes Adeola a fulfilling time as we all realize that his work
is grounded in real values and experience.
Moses Ohiomokhare
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